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Les Diableries : ウィキペディア英語版 | Les Diableries
''Les Diableries'' is the title of a series of stereoscopic photographs published in Paris during the 1860s.〔Journal General de L’Imprimerie et de la Librairie, Deuxieme Serie, Tome IV, Paris, 1860.〕 The photographs, commonly known as stereoviews, portray sculpted clay vignettes which depict scenes of daily life in Hell. Much of the subject matter was satirical and mirrored the corruption and excess of Paris during the Second Empire. Napoleon III’s authoritarian rule was repeatedly the subject of criticism, as was the decadent lifestyle of the bourgeoisie.〔Schreiber, Robert A., Classification of Diableries, Stereo World Magazine, Vol. 30, No. 4, 2004.〕 ==Creation and publication== At least three sculptors are known to have created vignettes for the series: Louis Alfred Habert, Pierre Adolph Hennetier, and Louis Edmond Cougny.〔Diableries: La Vie Quotidienne Chez Satan a la Fin du 19e Siecle, Balland, 1978.〕 The series was originally published by Francois Benjamin Lamiche but was later taken over and expanded by the publisher Adolph Block.〔Journal General de L’Imprimerie et de la Librairie, Deuxieme Serie, Tome XII, Paris, 1868.〕 A total of 72 scenes were published by Block. Many similar stereoviews, though of lesser quality, were subsequently published by a competitor of Adolph Block’s named Jules Marinier.〔(Les Diableries: 3D Visions of Hell )〕
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